This intensive four-day workshop delivers a comprehensive understanding of the fascinating art of achieving colour on fabric. It is designed to be a clear and thorough study of the (sometimes intimidating) world of dye types and procedures.
REGISTRATION OPENS JUNE 18, 2018 AT 10AM
From a simple pattern to the most complex work of art, all objects can be understood in terms of elements such as line, shape, space, texture, and colour.This course will delve into design elements as they relate to the visual arts and specifically to textiles. Theory will be combined with examples illustrating how artists deliberately use elements to give structure to creative ideas.
Are you a textile enthusiast wanting to add stitch for embellishment? If so, this is the workshop you won’t want to miss. The stitches you’ll learn are those known across Europe, the Americas, and Asia. They have passed between families and persisted for generations.
In this experimental workshop students will learn methods for building skeletal structures with rigid and semi-rigid materials such as reed, rattan, bamboo, wood, and wire. The class will also explore the use of found materials and recycled frameworks. Methods will include formal and chaotic plaiting, wire and netting construction, and lashing techniques.
This workshop is one of our most inspiring and creative, so much so that we have students who have taken it more than once. Students come to answer the question: How can creativity be tapped, mined, or made to flow when we need it most? In this original workshop, students will travel on an exploratory adventure, discovering techniques and letting go of assumptions that may hold them back.
Both of Gaye’s bookbinding courses include fundamental binding techniques such as Japanese stab binding, corner treatments, the pamphlet stitch, the use of book cloth, and signature procedures. Students will learn how to make an accordion book and simple effective origami books. They will progress to full instruction on a simple hard-covered journal including sewn signatures and the application of end papers and spine cloth.
This three-day workshop uses very little equipment with big results. Students will work mostly on paper and fabric and some wood panels. The primary tool we will use is a hot stylus pen with six tips designed specifically for encaustic. Participants will explore the following techniques: collage, wax resist, mark-making, transfers, and stencils.
This innovative two-day workshop addresses the techniques of rusting on paper, on fabric, and directly onto the encaustic surface. Rusting works beautifully on encaustic medium and encaustic paint. We will also experiment with rusted paper and fabric as collage elements.